Take, for example, the season one rap barnstormer “ Hiphopopotamus vs. Those fantasies of grandeur manifest themselves in suave synth-pop parodies of the Pet Shop Boys (“ Inner City Pressure”), in Barry White mode (“ Business Time”) and in Prince-indebted R&B ballads (“ The Most Beautiful Girl (In The Room)”). The understated dry delivery of a “Conchords” punchline, punctuated by an awkward silence, is part of the duo’s appeal: They bumble through life clumsily, but in their minds, they are guitar heroes, sexual dynamos and hip-hop royalty. For anyone not yet exposed to the disturbed brilliance of New Zealand’s Jemaine Clement and Bret McKenzie, better known as the Flight of the Conchords, their dearly departed HBO series of the same name is enduring evidence of their comedy folk.
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